The availability of the full score also allows for many alternate performances and analyses. In the process of re-creation, the high voice parts of the opera were often chosen in preference to the low voice parts, which were very difficult to score for piano. Since the original chorus parts do not match the vocal line, the first edition (1872) of the score features the chorus parts re-notated for piano.
In the version of the score published by Ambroise Thomas in 1883, the chorus parts are notated for the vocal line (a practice that remained common to many operas of the time). The second edition (1884) was the first time that the vocal parts of the work were changed and also featured a new edition of the orchestral parts. This new edition of the vocal parts, which had been printed in 1879, was altered by the publisher himself, in order to correct the mistakes made in 1872.
The third edition (1895) is particularly significant, since it features a large number of modifications and corrections made by the composer himself, although the vocal parts had already been corrected. In this edition, all of the arias, except those for Amelia and Themes, are re-scored for piano. In all three editions, there are only two mistakes in the vocal score: Both the aria for Poncina and the aria for Nemorino (dopo due sere), as well as the aria for Themes, which appears at the end of the work in the third edition of the score, are the last vocal arias that were not re-scored for piano.
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The vocal score of Norma is an important historical document, because it represents the first time in which an opera was re-scored for piano. The nineteenth century was a period of major musical transformations, from the first gradual introduction of piano for the choral parts in the works of the Italian singers and composers such as Bellini and Donizetti to the progressive displacement of the vocal score by the piano score. The score of the opera Norma is the last to be scribed for piano (before the twentieth century), since it was the last opera to be re-scored for piano and the first opera to be re-scored for piano.
Indeed, the vocal score of Norma was re-scored for piano in 1899. The first edition ( be359ba680
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